8o ¶ De canticordo De laude muſice. Uſica diuini noua pulſu q̄ fit amorꝭ ¶¶Extolli nulla laude ſatis poterit. Cor recreat. curas abigit. faſtidia mulcet Fitqꝫ ꝑegrinis qͦs vehit apta comes. Per medias hiemes ꝑ ſoles carmine fiſus Ibo ſpe patiēs/ letꝰ/ alacris/ ouans. Nā fugiūt triſtes cātu ꝑ inania cure Oīs ⁊ inſidiās hoſtica peſtis hebet. Uertit̉ occurſu pſallentū ſaul velut alter. Factus hō/ pſallit/ fitqꝫ ꝓpheta nonus. Exagitat neqͣꝫ dū ſpūs hūc/ cytharedus Paſtor ꝑ nūeros cogit abire dauid Uatidicꝰ deerat helizeo ſpūs olimDū cecinit pſaltes ꝓtinus īplet eum. Pithagoras motꝰ fuerat cōponere cordis Adiectis cythare cōpoſitis numeris. Spūs ecce monet ſpirās ꝑ carmīa vatum Ad dn̄i laudes cuncta creata ſimul. Ut iubilēt/ pſallāt exultēt vt cytharā dēt/ Tympana cū cordiſ organa/ nabla/ choꝝ Corꝑa ſpiritibꝰ ſūt organa ꝯſona. mūdus Eſt chorus vnꝰ quo ludere noys amat. Carmīe mūdano ſibi diſſona praua volūCōcordās toti/ fit moderāte deo Ornat ⁊ ip̄a notꝭ breuibꝰ lōgis ve camenā Improba viuēdi mors variādo vices. Diſcantū mollē miſerās dat gr̄a/ raucis Stridet de penis culpa tenore graui. Heu fugete tali fuge dep̄cor eē tenore Ut ſis ſub molli molle cor adde tibi. Quid ꝙ corꝑibꝰ curādis muſica ꝓdeſt. Dū cor letificat/ lenit ⁊ alleuiat Dant vtrūqꝫ tibi gētiles/ pulcer appollo Carmīs/ ⁊ medice phebe reꝑtor opis. Colligit̉ pulſu venaꝝ muſica cordis. Que ſit temperies q̄ fraſis/ atqꝫ theſis. Hoc medicꝰ tactu iuuenis ꝯiecit amorem Cuius in agnete cor furit igne graui Carmīa nō loqͥmur nūc execrāda magoꝝ. Nec niſi miſticꝰ eſt ip̄e poeta placet. Amphion ac orpheꝰ cātu mouiſſe ferunt̉ Hic lapides diras h̓ furias herebi. Moribꝰ hec duris ſi trāſfers inſtituēdis Mutādiqꝫ bona dogma ſalubre canūt Adde ꝙ in populis mutat vel iā variatos Inſinuat mores muſica cuiqꝫ ſua Eſt gͣuis huic/ petulās illi/ moll̓ vl̓ agreſtiſ Unaqꝫ dilatās cor vehit iſta p̄mit Eſt diateſſerō ē diapente cū diapaſon Triplex legitimis copula nexa tonis. Rurſꝰ ī octo tonos finē/ mediū/ caput oēs Cātus partiri ſuſcipit eccleſia. Antiphōas d̓dit ad pſalmos ignatiꝰ aptaſ Mōte ꝓut qͦdam deſuꝑ audierat. Turpibꝰ ⁊ fedis infantū queſo cauete Flexibiles animos cantibꝰ inficere. Feſtinat in teneras energia carmīs aures. Uret vt vrtice cor tibi lubrica vox. Urit cantādo facit idem ſepe videndo. Femina/ flagicij fundit vtrūqꝫ virus Quid numeremꝰ aues hūano q̄ capiunt̉. Cantu/ nec cantū deſpicit vlla ſuum. Piſces ⁊ cerui mulcentur cantibꝰ/ egris Antidotum varijs muſica crebro fuit. Prebe fideꝫ grecis delphinꝰ ariona vexit. Fluctus ꝑ medios/ dum lira mulcet eum. Fiſtula paſtoris pecudes armēta gregiſqꝫ Solat̉/ nec eas terret imago lupi Paſcua tūc ſecura metū/ minuitqꝫ mgr̄o. Tedia paſcēdi ruſticus iſte ſonus Fiſtula pan phebi cythare certauit agreſtꝭ Iudice te mida victꝰ apollo fuit. Iudiciū nam cuiqꝫ ſuū/ ſua cuiqꝫ voluptaſ Sic natura ſuū grande melos variat Buccina terribilis animoſum pectus eqͦꝝ Bellis exacuit militis ira viget Femina dū texit donec pueroqꝫ ſoporem. Ducēs in cunis cātat inepta rudis. Celica turba ieſu nati feſcennia cantat. Pax homini terris/ gloria celſa deo Ruſticꝰ arua colēs/ an vociferādo iocatur Cantat/ ⁊ alleuiat inde viator iter. Artem qͥſqꝫ ſuā mulcet durūqꝫ laborem Qualicunqꝫ ſono/ ſit licet aſperior. Uox deuota deū placat iratū/ placet armiſ Ciuibꝰ/ ip̄a choris ꝯcinit angelicis. Uocibꝰ eccl̓ie pater auguſtine fateris Motū te lachrymis ora rigaſſe pijs. Felixcuiuſ erāt pctā retecta maria Que totiēs voces celitus aure capis. Organa dū cātant ſibi ſoli/ corde canentē Corde deo pleno Ceciliā legimus. Cordibꝰ vt nr̄is pſallamꝰ paule monebaſ Actio nā talis iure beat duplici. Inchoat hic ⁊ nūc celū/ viteqꝫ beate. Moribꝰ ⁊ ritu degit in exilio Mors vēit in t̓ra q̄ carnis vincl̓a reſoluit Cātantē in pſalmis victor in alta vehit Eccleſiaſticoruꝫ exhortatio ad cantum Emꝑ ī ore tuo ſit laus/ ſint cātica ſiō. Quāuis captiuū te babylone doles. Fach̓ p̄cipue/ cui cantus eccleſie dant. Ii 2
